PROGRAMMING HIGHLIGHTS
New to the program for 2025, Tokyo Gendai’s curatorial symposium debuts today, introducing a dedicated space to explore contemporary curatorial practices and concepts. Across a series of in-depth conversations, the symposium brings together a range of perspectives from across Japan and internationally, offering curators the opportunity to foster new connections and discuss relevant themes. The symposium is held at the Shiseido Global Innovation Center, and is in collaboration with by The 5th Floor, an alternative space in East Tokyo dedicated to supporting the emergence of the next generation of artists and curators.
The third edition of Tokyo Gendai also marks the launch of the Hana Artist Award, established with a mission to foster emerging artists. The Award is given to an outstanding artist participating in the Hana ‘Flower’ sector of the fair, with the support of ArtSticker; it consists of a cash prize of USD 10,000 and special recognition at the fair. Selected by Mark Rappolt, Editor-in-Chief of ArtReview, Miwako Tezuka, Director of the soon-to-open Dib Bangkok, Kenjiro Hosaka Director of the the Shiga Museum of Art, the winner will be announced at a special ceremony at 19:30 on Thursday 11 September 2025.
An annual highlight at Tokyo Gendai, this year’s Tsubomi ‘Flower Bud’ showcase highlights the work of a selection of Japanese women artists exploring traditional craft techniques, and the increasing influence of artisanal practices in the contemporary art scene. Working with a range of materials and approaches, these artists consider the methods and processes of making and working with material objects. Artworks in ceramic by Namika Nakai (TARO NASU) are on view, glass work by Ritsue Mishima (ShugoArts) and lacquer sculptures by Chie Aoki (Sokyo Gallery).
In the Sato ‘Meadow’ program, a curated selection of installations and performances activate the fair space. Highlights of Sato ‘Meadow’ include The Steel Bar and the Pictorial Memory of the Gesture by celebrated French conceptual artist Bernar Venet (Ceysson & Bénétière), a dual presentation of works by Takuro Kuwata and Dan McCarthy (KOSAKU KANECHIKA), offering a dialogue between the two artists working in ceramics, and Otani Workshop’s (Kaikai Kiki Gallery) bronze sculptures, including Sleeping Child Tower. Wood sculptures by Rieko Otake (Tomio Koyama Gallery) evoke childhood memories and distant, dreamlike worlds, while Yuko Murata’s (GALLERY SIDE 2) birch garden installation, combines paintings with works in ceramic, to create a garden landscape. Elsewhere, Carl Krull’s (Formation Gallery) new live drawing performance, Vertex, takes place once each day of the fair, resulting in four large-scale ink drawings, and Douglas Watt’s (Unit 17) new large-scale installation Pit recreates a foam pit for softening falls during diving and gymnastics practice using tarp, paper and tape.
The Ne ‘Root’ program presents leading Japanese foundations hosting special showcases of their work, including The Obayashi Foundation, Fukutake Foundation, Odawara Art Foundation and CADAN: Contemporary Art Dealers Association Nippon. |
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